American Moonshot

American Moonshot: John F. Kennedy and the Great Space Race

by Douglas Brinkley

Harpers

book review by Christopher Klim

“Are we working 24 hours a day on existing programs? If not, why not?” – from JFK memorandum regarding US space effort

Famous for making a “giant leap for mankind” upon the lunar surface, the US space program was in fact built with small steps. It began with the great minds of earlier centuries and the brainchildren of inventors and tinkerers. By the time John F. Kennedy took the reins of the Presidency and a splintered military push for rockets, an approach for the moon had already been discussed and often been dismissed within the higher circles of scientists and pundits. Then the first Russian Vostok missions occurred, solidifying a presidency as well as defining a purpose for America in space. Reaching the Moon would “leapfrog” Krushev’s accomplishments and threats. In many ways, the free world drew focus for the first time since WWII, lifting three astronauts to the Moon and etching a new high water mark for humanity that for fifty years remains unduplicated and unsurpassed.

In American Moonshoot, historian and deep narrative journalist Brinkley braids the stories of JFK with the US Moon landing. There exists glory and tragedy in both, and eventually JFK’s ghost hung over everything. Like war itself, much blood and treasure were spent along the way. When Neil Armstrong pressed boots on the Moon for the first time, it was the fulfillment of Kennedy’s mandate. This was in spite of the fact that the program had passed through the stewardship of Presidents Johnson and Nixon—both having profited from the effort and achievement in various ways.

While Brinkley’s detailed narrative lacks the immediacy of The Great Deluge, his seminal work on the human tragedy of Hurricane Katrina, he picks his spots to reveal the humanity of JFK and the people who made the Moon missions possible. That is perhaps one of the author’s best skills—to hold a mirror to us without judgment and let the facts speak on their own—a dying art in journalism. For that alone, this book is worth the read and maybe its selection above others. Alan Shepard’s and Deke Slayton’s heavily ghostwritten, Moonshoot, will always be a favorite for the astronaut’s insider view of rockets, although tightly focused on just the Apollo Program. Brinkley’s palette is a broader and more revealing worldview of the space effort in general.

Few books delve into the true genesis of the space race—beginning immediately after WWII with the seizure of German rocket scientists—with Brinkley’s aplomb. The pacing early on is historically slower and less dramatic, though none less essential to understanding how the space race evolved from military experiments into a civilian force idolized by the world. This is perhaps why many narratives begin late in the process with the famous Mercury Seven astronauts, when in large part the tone and ambitions of the US effort were already set. For those retellings, it’s almost as if astronauts and rockets suddenly arrived in the early sixties. Brinkley rightly reveals that nothing was further from the truth. The building toward the eventual Moon landing had begun two decades earlier in technological growth and at least a century earlier within the hearts and aspirations of scientists and artists alike. The achievement, if eventually surpassed, will remain a landmark.

RECOMMENDED by the US Review

Professional Revisions – Level Four: Presentation

In this series, editor and author Christopher Klim takes you through a multi-level approach to revising your work. Excerpts taken from Write to Publish: Essentials for the Modern Fiction and Memoir Market.

All fine writing is the result of rewriting. I don’t know who coined that phrase, but it is certainly a fact. The first draft is the art of writing. The revision process exists to recognize mistakes and mop up the mess, and readers never witness the accident. Readers seek the ease of flawlessness.

LEVEL FOUR: PRESENTATION

With the hardest work in place, take time to examine the basics of language, before submitting your work to agents and editors. Mistakes in this category should never occur, but too often I receive student prose with grammar and spelling errors. Solid presentation separates you as a professional writer in every form of the medium, from advertising copy to fine literature. Make a habit of presenting clean copy.

Basic Order

Put stimulus and response in the proper order. The following is out of order.

Joe hit the ground, hearing the explosion.

Organize phrases and sentences in order of occurrence. The following sentence is out of order.

Joe won the race, after he filled out the entry application.

Build lists in order of increasing importance or impact. Without intending to be outrageous, the following is out of order.

Joe had a pretty bad year. His dog died. His wife left him. His computer caught fire. His mail arrived at the wrong address, and he stubbed a toe.

The passage suggests that Joe’s priorities are clearly out of whack. If this isn’t the case, the story must present a reasonable justification for Joe’s thinking.

Grammar

Obtain The Elements of Style by Strunk and White, and memorize the first eleven rules. The English language is sinking into a lexicon of paraphrases, slang, buzzwords, and acronyms. Soon you will be one of the few remaining people who can still write and speak the language.

Spelling

Most of us work on a computer with a word processor. It is easy to check spelling. Don’t get caught with spelling errors, or you will appear as if you didn’t care enough to proofread your words. When in doubt, consult a dictionary. Computers won’t catch ‘bear’ when you meant to use ‘bare.’

Christopher Klim is the author of several books including the novel, Idiot!, and the short collection, True Surrealism. He is currently working on a novel trilogy about the space program past, present, and future.

Next: Professional Revisions – Executing the Process

Previous: Professional Revisions – Level Three: Style